My subject matter and content in art-making include personal investigations around ideas of memory, migration, and mortality via the transformation of matter and material.

Through my creative process, I explore the embodiment of memory, narrative, and intention through the methodical manipulation and interweaving of artificial substances with raw materials. By creating powerfully emotive yet minimalistic compositions, I superimpose a visual cosmology upon my artworks and in doing so, define what is sacred in objects and establish personal geographies and a sense of time. I find inspiration in natural processes and attempt to emulate nature through the concerted manipulation of material. Each of my compositions conjures the visceral and evokes a palpable sense of the sacred, offering viewers a moment to immerse themselves in an act of reflection, meditation, and devotion.